I am always interested in seeing artwork in artists’ studios, people’s houses or within work environments, or indeed in unusual
spaces as lived or isolated context can at times provide a greater depth of meaning and a stimulus for informed conversation.
With this in mind it seems to me almost ludicrous that we locate much of our art in rectangular, bland and featureless rooms and
then try to attract people to come in and look at it. Kevin Wilson Program Director Artworkers Alliance

Tracing Nicole Voevodin-Cash’s artistic journey, as she leaps into her latest
incarnation as NVC Studio, is one of expansion and contraction – one that
resonates with a Bachelardian sense of space from his seminal text A Poetics of
Space. For Bachelard the artist and artwork inhabit each other and the spaces
they journey through in a physical and psychical shift between the miniature and
the immensity of space. Nycole Prowse

Take a Billycan for a walk and focus on making, ART!! Ok, its now the beginning of Term 2, everything has been turned on its end and I am now teaching online a Visual Arts course [digitally] for 12 -18 years olds. We have been asked to return to the classroom to teach...

In essence her work has all the emotional resonance and intellectual engagement that an artwork is capable of whilst also drawing from the rich experiences that a public park can provide. Voevodin-Cash is an artist whose materials and work will grow and live on and change well past the length of her own life.  This is her gift as an artist to the future.

Voevodin-Cash comments on gender stereotypes, expectations and workplace needs. Identifying a need in our increasingly alienating public spaces for interaction and real experience, Arterial’s reception area – previously unfurnished – has been granted a receptionist and a series of Genoa armchairs. While both these elements would be ideal for the area to function properly, and indeed appear life size and sound,

Voevodin-Cash’s concept of the landscape is derived as much from personal experience and observation of it as from any historical knowledge about it. Hers is not a romantic ideal. It is lived and worked. That the landscape in which Voevodin-Cash lives has been fashioned by her is as critical as the manner in which it impinges upon her.

MoB Queensland contemporary sculpture exhibition 2004 Furnished spaces Nicole Voevodin–Cash’s playful practice is furnished with unusual materials, from plastic bags, heaters, lights, batteries, velvet, kangaroo skin, astro turf and living turf to the more...

Experiments in Re-locatable Temporary Public Art Introduction The LANDscapers project takes its point of departure from a concept of the artwork as an event rather than an object. The artists, (Nicole Voevodin-Cash and Elizabeth Woods), and audience collaborate in...